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Gaslighting Crew


Lee has been working in film post production for 25 years. He has worked on many big budget Hollywood movies (The Golden Compass, V for Vendetta) and on a number of very successful independent films (Belle, Mr. Turner, Miss You Already, Our kind of Traitor). He has been instrumental in the organisation of post-production deals for many European co-productions in Italy, France, Germany, Spain and Denmark. He works as a freelance supervising sound editor in London, with a number of facilities, including Goldcrest, Lipsync, Halo and Pinewood. Lee produced & co-directed the short film Anthropology 101 for the Campaign for Nuclear Disarmament.


After graduating from university in 2004 Sarah went to work as an Assistant Producer at Maeve (Medb) Films. Whilst at Maeve, Sarah co-produced and produced a number of student short films. From Maeve, Sarah went to work as production and development assistant at Screen South. During this time she worked as the development executive on four Innovation Shorts, a co-production between the North Sea Screen Partners. Sarah has a Diploma in Script Development from the Script Factory and the NFTS, and is currently developing her first feature film.


Elaine has been lead producer on three feature films, Gypo (starring Paul McGann), Ruby Blue (starring Bob Hoskins) and The Calling (starring Brenda Blethyn, Susannah York). She also wrote and directed the award winning short film, My Mother (starring Georgia Groome, Susannah Harker), funded by Screen South and the UK Film Council. Until recently Elaine was Vice President of Productions at Umedia, where she worked on a number of films, including the feature animation Deep and The Correspondence (starring Jeremy Irons & Olga Kurylenko). She is now writing her first feature script, the follow up to Gaslighting, which she is set to direct in 2017, with Lee Herrick and Sarah Treadwell producing.


Clint’s first feature film score was for the movie Pi, the success of which brought him Requiem for a Dream. Requiem for a Dream won him industry recognition and an OFCS Award for Best Original Score. Clint has since scored over thirty award winning features, including Moon, The Wrestler and Definitely, Maybe. Other previous films include Blood: The Last Vampire and The Fountain, for which he won the Best Original Score awards at the CFCA Awards, World Sound Track Awards and Broadcast Film Critics Awards. Clint scored Elaine’s short film, My Mother, and has worked with first time directors as well established directors on blockbusters such as Sahara, Doom and Blue Knight. He has also been nominated for many film festival awards, as well as a Golden Globe and DVDX Award. Recent feature film credits include Russell Crowes new movie Noah and the critically acclaimed films Filth and Black Swan.


John has worked on a number of film and TV productions as both camera operator, steadicam operator and DOP. His credits include Poldark, New Tricks, Vera, The Royals, By Any Means, Young Dracula and Bad Girls. Dailys and 2nd unit credits include In The Club, Stella, Silk, Law and Order, Da Vinci’s Demons, The Fades, Hustle and Skins.


Richard won the Academy Award and BAFTA for Slumdog Millionaire. In addition, Richard's abundance of mixing credits span 16 years and recently include Cinderella, Jack Ryan: Shadow Recruit, Robot Overlords, Pressure, 127 Hours, Romeo and Juliet, The Woman in Black, Johnny English Reborn, A Good Life, Nine, Everybody's Fine, Harry Brown, Agora, The Optician and V for Vendetta. He also worked on Die Another Day, Bridget Jones Diary and 28 Days Later.


Amy has worked in a variety of roles in various departments on feature films, short films and music. Gaslighting is Amy's first short film as Production Designer.


Trained in make-up at london college of fashion in 2001, Deborah swiftly transferred to costume design when she started her Vintage clothes business Madam Popoff Vintage in 2003. Since then she's worked with Oscar winning directors and costume designers on films as well as providing styling and vintage for fashion shoots and campaigns. BETH JOHN - MAKE-UP DESIGNER Beth has been a professional makeup artist for over 18 years starting in the fashion sector and London Fashion Week before she moved to her passion of films. Her credits include Harry Potter, Grimsby, Wolf Hall and Sky Playhouse Presents. EDITOR -


Catriona has worked on many A-list feature films as first assistant editor, working alongside editors John Harrris (Women in Black) and Chris Dickens (Slumdog Millionaire). Her credits include Paul, Slumdog Millionaire, Hot Fuzz, Starter for 10, The Descent, Seed of Chucky, Shaun of the Dead, What a Girl Wants, Ali G Indahouse, Buffalo Soldiers, Proof of Life, 2000/I The Beach1999 Elephant Juice and Best Laid Plans.